Tuesday, December 25, 2012

Anthrax Island

I spent one of my first summers as a New Yorker just outside the city in Montauk, one of the villages surrounding Long Island's Hamptons.  Just off the coast of Montauk is one of the country's more mysterious locations.  The Plum Island Animal Disease Center occupies a 3 by 1 mile island, which is replete with its own fire department, power plant, water treatment plant, and, of course security.  The island, once used to protect New York City in the Spanish-American war at the turn of the 19th century, became a biological-weapons and animal disease research laboratory after WWII.  It is currently owned by the Dept. of Homeland Security.

Plum Island- NW of Long Island
Personnel are ferried to and from the island by armed security officers, and the public are not welcome.  Before entering the island, the personnel must strip naked and put on plastic clothing.  No animal is allowed to leave the island alive and any animal on the island is killed if it comes on-shore. According to a 2002 Wall Street Journal article, freezers on the island contain live polio, Rift Valley Fever, and a host of other deadly diseases.  Plum Island's stated objective is to study diseases communicated between man and animals, but many suspect the laboratory's research goes much deeper.  In 2008, suspected Al Qaeda terrorist Aafia Siddiqui was captured in Afghanistan with a liter of Cyanide in her purse and a list of potential US targets.  Plum Island was included on that list.

"Montauk monster" washed ashore in 2008


The island has been the subject of many conspiracy theories.  Some believe Lyme disease originated on the island and was communicated by accident to nearby Lyme, Connecticut where it spread to the mainland.  Separately, many believe the island has been the source for genetically mutated animals, including what has been dubbed the "Montauk monster," a beastly looking creature that washed on Montauk's shore in July 2008 and horrified three beach-goers.  The mystery has never been solved, although some scientists contend the animal is merely a raccoon or a turtle.  In the 1989 film Silence of the Lambs, Hannibal Lecter is offered vacation time on "Plum Island Animal Disease Center" if he cooperates.  Pausing, he mocks the island by calling it, "Anthrax Island."

 

Sunday, December 23, 2012

Laying Grand Plans

There's something about the libraries around Gramercy Park that I like.  Looking through the big windows of the houses facing the park, you can almost feel the ghosts of their present owners- sipping coffee and reading the news in front of a glowing fire.  A second floor library on the north side of the park played host to a series of significant meetings in the mid 1850s.  The townhome, with its elegant library, belonged to Cyrus Field, a paper manufacturing tycoon who retired at 34 after acquiring a small fortune of $250,000.
Cyrus Field


Field had two prominent neighbors: Samuel Morse, telegraphy pioneer and inventor of Morse code, to the north and Peter Cooper, designer of the steam locomotive and once presidential candidate, to the east.  In the mid 1850s, Field, Cooper, Morse, and several other investors began meeting in Field's second floor library to discuss plans for the first Atlantic telegraph.

Field had become obsessed with the idea since financing the laying of telegraph wires in Newfoundland (northeast Canada in 1854).  The idea of laying communication wires under the sea was daunting-given 2500 miles separated Newfoundland and England-but the Field was devoted to the task.  In the 1850s, the only way to communicate a letter over the Atlantic was by sea, which took approximately 10 days.  Telegraph wires would allow for nearly instantaneous communication.  Under Field's vision, on August 7, 1857 two steamships left Newfoundland and Liverpool. 

Marker at what is left of Field's former home (21st and Lex)

After a catastrophic start that included numerous broken cables, storms, etc., the two ships met in the middle of the Atlantic in 1858 and the two wires were spliced together.  Queen Victoria of England sent the first trans-Atlantic communication to President Buchanan in 1858.  To read an 1858 New York Times Article on Field's heroic feat, click here.  Field's success was short-lived.  The communication broke in 1858, and Field, once a hero, was now viewed as a fraud.  According to the book Gramercy Park: An American Bloomsbury, grown men turned their backs when Field came near. 

After 7 years and many failed attempts, the telegraphy wires were finally fully operational and Field was vindicated in the plans he, Morse, Cooper, and other laid years before in his second floor library.  At a benefit in his honor at New York's Chamber of Commerce, Peter Cooper toasted his friend with the now famous line, "God rewards patient industry."


Sunday, November 11, 2012

The Finest House in New York

Last week when Hurricane Sandy hit, I stopped in one of the few Manhattan-area movie theaters with power to see the new Richard Gere movie Arbitrage.  Gere played a Madoff-esque hedge fund manager who lived at the prized Gramercy Park brownstone at 19 Gramercy Park South.  Once called "unquestionably the greatest house remaining in private hands in New York," the five story townhome sold in 2000 to Dr. Henry Jarecki, co-founder of MovieFone, for $16.5 million.  Dr. Jarecki's son directed Arbitrage and filmed on location without having to pay Dr. Jarecki's ordinary $50,000/day fee to shoot at the apartment.

19 Gramercy Park South
The townhome dates back to 1831 when Gramercy Park was mostly farmland.  New York City boosted a population of 191,000 at that time, but most lived south of 14th street according to New York magazine and development of Gramercy Park was slow in its early years because no one wanted to live as far uptown as 20th street.  Gramercy Park was divided into 66 lots and an edifice was constructed on the spot where 19 Gramercy Park now stands.  The townhome underwent a massive restoration in 1887 when railroad tycoon Stuyvesant Fish bought it and paid architect Stanford White $120,000 to transform it into a spot for lavish social parties.  Fish's wife Mamie was a commanding presence and prominent socialite of her day.  According to New York magazine, Mamie was determined to unseat Mrs. William Walter Astor as the grande dame of her time.  The 6-story townhouse overlooks the park with 37 rooms and 18,000 square feet of space.  Stanford White's prized addition was a circular stairway that connects the five floors; this is featured prominently in the film Arbitrage.

Many of the bathrooms are warmed by their own fireplaces (there are 13 fireplaces in total).  The penthouse fifth-floor features a 25 x 40 foot ballroom space complete with a bar and musician raised balcony, perfect for the many fashion shows and dinner parties that have been held at the space.

In 1899, the Fish's moved to the Upper East side but rented rooms of 19 Gramercy Park out to notable tenants for the next 30 years, including actor John Barrymore (great grandfather of Drew Barrymore) and politician Norman Thomson.  In the 1930s, the first two floors were rented out by New York P.R. giant Ben Sonnenberg under the proviso that he could do whatever he wanted with the space.  The other floors continued to be rented out and a restaurant continued to operate in the basement.  In 1945, Sonnenberg purchased the townhome from Fish for $85,000.  Sonnenberg once again revitalized the space and each of the 37 floors took on a whole new character.  The second floor drawing room, for example, was called the William and Mary room after being paneled with 17th century oak from Streatlam Castle in England.  Sonnenberg, a renowned art collector, decorated the walls with paintings from Goya, Seurat, and Cezanne, and Renoir.

Lauren Bacall at a 1959 party at 19 Gramercy Park

Sonnenberg continued the socialite tradition of the home.  Astors, Rockefellers, and Vanderbilts partied in the fifth floor ballroom.  Writers John Steinbeck and Langston Hughes attended his parties, as well as actors Henry Fonda and Lauren Bacall.
A party at 19 Gramercy Park circa 1940
The guest list of one party in 1967 included Bob Dylan, Jackie Kennedy, and Truman Capote.  Sonnenberg is quoted as saying every party should include one actress, one businessman, one artist, and one banker.  Sonnenberg died in 1978 and most of the possessions in the home, including his artwork, were sold.  "Strike the set," he was once quoted as saying regarding what would happen to his showcase home when he died, "the show is over."  In 1979, the home was auctioned off to Dr. Walter Langer, a "baron" and perfume creator, for $1.5 million.  The home continued to be bastion of social elite.  Mia Farrow and Woody Allen were said to stop by every Christmas Eve to celebrate.  In 2000, Dr. Jarecki finally purchased the home for $16.5 million and he remains there today.

Sunday, November 4, 2012

Sinatra's New York

Sinatra's Upper East Side apartment has just hit the market for $7.7 million.  Sinatra occupied the lavish 3,000 square foot apartment on East 72nd street from 1961 to 1972.  The apartment's wrap-around terrace with views of the Hudson River was the site of many Rat Pack parties.  According to one story, Sammy Davis Jr. was so inebriated at one decadent party that he began throwing champagne glasses onto FDR drive below.  JFK, Marilyn Monroe, and Andy Warhol were also said to have attended parties there and the apartment saw the beginning and end of Sinatra's marriage to Mia Farrow.

Sinatra's former penthouse apartment (530 E. 72nd St)
Well before his Rat Pack days, Sinatra was a struggling New Yorker.  Although Sinatra had had some early success, he had hit bottom in 1952.  His record label MCA dropped him.  His marriage to Ava Gardner was on the rocks.  He had even attempted suicide in 1951 one night after walking through Times Square and seeing the crowds for competitor Eddie Fisher.  Sinatra went home, locked himself in his kitchen, and turned his gas on full.  Luckily, his manager found him in time.

The day before Thanksgiving on 1952, Frank Sinatra wandered into Patsy's Restaurant on 56th street and Broadway and sat at the bar by himself.  After a meal and a few drinks, he asked for a reservation for 3 pm the following day.  Although the restaurant was closing for Thanksgiving, they opened at 3 pm Thanksgiving day just for Sinatra.  The owner even invited his staff and their families to make it look like the restaurant wasn't closed.  Years later, Frank Sinatra realized what had happened and remained loyal to the establishment til his death.  According to the New York Times, the restaurant was so intertwined with his career that his friends and fans just started showing up at the restaurant when Sinatra passed away in 1998 saying "I just had to be here today."  Of course, the rest of the story is history.  Sinatra began his comeback in 1953 when he starred in "From Here to Eternity" and was signed by Capitol Records.  He never looked back.

Patsy's Restaurant (56th and Broadway) - a Sinatra favorite


 

Sunday, October 28, 2012

The Other Booth

The Players Club, just a few blocks from my apartment, is a unique building overlooking Gramercy Park.  The faded Greek Revival facade, the wood-paneled interior you can see through its large windows, and its opulent balconies speak of a rich past, and its history does not disappoint.

Players Club in Gramercy Park
The Players Club was founded as a gentleman's club in 1888 - the first of its kind according to the club's website.  The purpose was and continues to be "the promotion of social intercourse between members of the dramatic profession" and artists, sculptors, musicians, etc.  The Club was founded by Edwin Booth, Mark Twain, General Tecumseh Sherman amongst others.  In his off hours from developing revolutionary technology related to power and telephony, scientist Nikola Tesla regulalry played cards there in the early 1900s. Jimmy Fallon, Ethan Hawke, Roger Moore and many others are members of the club today.  While generally closed to the public, the Club allows the public to purchase tickets for certain events such as poetry readings and jazz nights.

Edwin Booth, the pre-eminent Shakespearean actor of his day, purchased the mansion in 1888 from American tennis champion Valentine Hall.  After some rearrangements, the Club was opened to members in a grand ceremony on New Years Eve 1888.  Edwin Booth kept the top floor for his personal apartment and tragically died there of a stroke on June 7, 1893.  The apartment continues to be maintained exactly as it was on his death.

Edwin Booth as Hamlet (1870)
Edwin Booth was the brother of John Wilkes Booth.  Both Booth brothers were considered among the finest actors of their day.  In November 1864, Edwin and John Wilkes took the stage at Winter Garden Theatre in New York for the play Julius Caesar.  Little did Edwin know that John, a Confederate sympathizer, would assassinate Lincoln 6 moths later.  This theater has since been bulldozed but once stood in Greenwich Village on the site where NYU law dorm D'Agostino Hall now stands.  Coincidentally, I spent my first summer in New York in that dorm. 

After John Wilkes assassinated President Lincoln in April 1865, Edwin went into severe depression and left the stage for nearly a year.  He disowned his brother and would not allow his brother's name to be spoken in his house.  In January 1866, he took the stage at the Winter Garden Theatre in New York .  When he stepped on the stage for the first time since the assassination, the crowd gave him a standing ovation.  Wilkes performance of Hamlet would become the signature role of his career.  The center piece of Gramery Park is a statue of Edwin Booth in his role as Hamlet.  It was dedicated in 1919 and was the first New York statute dedicated to an actor, and the statute faces the fascinating Players Club of Gramercy Park.

Edwin Booth statue in Gramercy Park




Sunday, October 14, 2012

Jimi Hendrix's Last Night in NYC

John Mayer's Born and Raised, my favorite CD out right now, was recorded at Electric Lady Studios on 6th avenue and 8th street in West Village.  Yesterday, I visited this studio and learned about its incredible past.

From 1930-1967, the studio was a country western club called the Village barnyard.  Jimi Hendrix, who lived around the corner at 6th ave and 12th st, purchased the space in 1968 to make it his personal studio.  Hendrix wanted a place where the creative energy would flow.  Psychedelic murals, rounded walls, and homey features were essential. The project took Hendrix 2 years to complete and cost over one million dollars, more than twice the time and cost he expected.

Electric Lady Studios (8th st and 6th ave)
Psychedelic mural at Electric Lady









On August 26, 1970, Hendrix threw a blowout opening party to celebrate his new studio.  Yoko Ono, Johnny Winter, Mick Fleetwood, and other musicians partied the night away and ate Japanese food according to Rolling Stone magazine.  Strangely, a food fight broke out leaving Hendrix upset with his guests.  According to Rolling Stone, he spent most of the evening in the stairway conversing with up-and-coming musician Patti Smith about his plans and excitement for the studio.
Hendrix in his unfinished studio June 17, 1970
 Electric lady studio went on to be a huge success.  The legendary albums Houses of the Holy (Zeppelin), Chinese democracy (Guns n Roses), and Back in Black (AC/DC) were all recorded there. The Rolling Stones also recorded there.  Rumor has it there's a tiny hole in the bathroom door, just big enough to fit Keith Richards' guitar plug.  Apparently, he liked to record in the bathroom, the most intimate of places.  Hendrix never recorded at his studio, although a month before the opening party he laid down the track "Valleys of Neptune" with Steve Winwood in his near finished studio. The night of his opening party, just after the food fight and his talk with Patti Smith, he left for the Isle of Wight festival in England promising to be back soon to start recording in his new studio.  Tragically, he died in London three weeks later from an overdose of Vesparax sleeping pills.  He was 27.

Thursday, October 4, 2012

New York's Hidden Subway Station

Earlier this week I viewed an unusual site: the exquisite, abandoned subway station below City Hall that few know of its existence.  It is an almost perfectly preserved time-capsule to the grand architecture of early twentieth century New York and such techniques as brass chandaliers, ornate skylights, Roman arches, and Guastavino tile. 


The Abandoned "City Hall" Station Today
Once the crown jewel of the New York subway, the station was abandoned in 1945 because the platform was too narrow and curvy and the nearby Brooklyn Bridge stop received more traffic.  To see this gem, board a southband 6 train to the end of the line at Brooklyn Bridge.  When everyone gets off, stay on as it loops around the City Hall station to head back uptown.
"City Hall" Station circa 1904

The station contains almost a carnival theme to it with stunning skylights that let sunlight from City Hall Park in.  The station was built to be the jewel of the "Manhattan Main Line," a station that commemorated the hardwork that it took to build the subway line with its beautiful Romanesque revival architecture and commemurative plaques throughout the station.

On October 28, 1904 at 2:35 pm, the first subway train departed from the City Hall station, and, reportedly 15,000 tickets were issued for the first series of rides with even the mayor attending.  According to Travel and Leisure magazine in 2009, the station is the 12th most beautiful train station in the world.  The station has also been in a number of movies, including the slime-filled station in the Ghostbusters movies and the underground liar for the Ninja Turtles in the Ninja Turtles movies.


Opening of the Manhattan Main Line in 1904

Saturday, September 29, 2012

Passageway to the Knickerbocker

"The Knickerbocker bar, beamed upon by Maxfield Parrish's jovial, colorful 'Old King Cole,' was well crowded."  F. Scott Fitzgerald, This Side of Paradise (1920)

My morning subway route is the NQR train to Times Square Station.  Leaving the station earlier this week, I noticed an obscure door at the end of the track marked "Knickerbocker."  The passageway looked like it had been boarded up for years but had led somewhere in the past.  Could it be that it led to the iconic Knickerbocker Hotel?

The grimy sign above the door says "Knickerbocker"
Sure enough, the building just above the track at 42nd and Broadway was the old Knickerbocker Hotel.  The iconic Hotel was built in 1906 and was one of the most fashionable spots in New York during the time period.  The underground passageway was built so that its wealthy patrons arriving in private train cars could privately enter the hotel.  The Hotel bar, called the Knickerbocker bar, is rumored to be the site where one Martini de Arma di Taggia created the first martini for John Rockefeller. 
"Old King Cole" painting
Behind the Knickerbocker bar hung the painting "Old King Cole" by Maxfield Parrish which depicts a monarch with a rather sheepish grin flanked by several disgusted knights.  According to legend, Parrish and his colleagues held a competition to see who first could portray the act of passing gas in a painting.  Apparently, Parrish one.  Following the Knickerbocker Hotel's closure in 1920, the "Old King Cole" was moved to the St. Regis Hotel where it remains today.  I visited the bar recently for one of their "Red Snapper" bloody marys (a great drink but at $21 a drink bring your wallet).  You can read more about the "Old King Cole" painting and its recent restoration here.

The Knickerbocker hotel has now been converted into a Gap where the lobby used to stand and commercial office space where the hotel rooms were. In February 2012, however, the building was purchased by a U.S. Reit that intends to restore the building to a 330 room 4-star hotel opening late 2013.


Former Knickerbocker Hotel (42nd and Broadway)
Knickerbocker Hotel circa 1909

Wednesday, September 26, 2012

"Meet Me at the Fountain"

Last week I was walking back from brunch with my girlfriend Claire when we stumbled upon a majestic building in Chelsea at 620 Sixth Avenue (6th ave between 18th and 19th).  The building is now occupied by a Bed Bath and Beyond and T.J. Maxx but the building's ornate facade suggested a deeper history - no doubt it has an interesting one.
620 Sixth Avenue (between 18th and 19th st)

Siegel-Cooper store in 1896










In 1896, the Times reported the opening of a "shopping resort" at this site.  It was called the Siegel-Cooper store and it was the largest department store in the world at its opening with over 15 acres of retail space.  The Times reported that its opening on September 12, 1896 at 7:30 pm drew a crowd of 150,000 people and 8,000 employees.  You could purchase just about anything under the sun at Siegel Cooper - bicycles, furniture, jewelry, meats, vegetables, canned goods, and even, on the roof, exotic plants.  The Times also reported that the establishment contained a barbershop, a bank, a dentist office, animal shop, a manicure salon, and purportedly the largest grocery store in the world on the 4th floor.  There was an employees-only restaurant on the 6th floor where staff could take in their 45 minute lunchbreak.  There was also a doctor and trained nurses on staff for the employees that paid the required 15 cents per month fee.  The full Times article from 1896 is available here.
Fountain of the Siegel-Cooper store

One remarkable feature about the store
was its lobby fountain with a golden-lady statue entitled "The Republic."  The fountain became a popular meeting place and the phrase "meet me at the fountain" soon caught on.  The store adopted the phrase as its slogan.  Siegel-Cooper went bankrupt in 1915 and the store closed soon after in 1917.  The building was used as a hospital during World War I and later a warehouse.  It currently underwent renovation to house the stores Bed Bath and Beyond and T.J. Maxx.


Women entering the Siegel-Cooper store circa 1896




Sunday, September 16, 2012

Channeling Warhol

The Metropolitan Museum of Art opens a new exhibit called "Regarding Warhol" this Tuesday, September 18, 2012.  An intriguing and complicated American contemporary artist and New York socialite, Warhol in many ways embodied the decadent lifestyle of the inner circles of 1970s and 80s Manhattan.  According to Bob Colacello, a biographer of Andy Warhol, the 1970s and 80s were Warhol's entrepreneurial years.  After a successful emergence in the 1960s, Warhol was a Manhattan socialite during the 1970s and 80s, forming relationships with Mick Jagger, Liza Minnelli, and John Lennon among others, in hopes of rounding up wealthy donors to commission his paintings.

Among the spots Warhol frequented were the famous Manhattan nighclubs Studio 54 and Max's Kansas City.  Studio 54 opened in 1977 at 254 West 54th St in Midtown Manhattan. 
Former Site of Studio 54 (54th and 8th) - now a theater

 In many ways, Studio 54 exemplified the "sex, drugs, and rock and roll" mantra that has been associated with the 1970s and 1980s.  Cocaine was prevalent (federal agents raided the spot for cocaine in 1978) as were alcohol, popular music acts, and electric lightshows.  On February 4, 1980, Studio 54 held a blow-out party before temporarily closing its doors that included Jack Nicholson, Diana Ross, Richard Gere, and Andy Warhol.  Studio 54 is currently a midtown theatre showing "The Mystery of Edwin Drood."

Another of Warhol's hangout spots was Max's Kansas City at 17th and Park in the Union Square area, where Warhol maintained his famous studio "the factory."  Max's Kansas City was a popular hangout spot for artists and musicians in the 1970s and 80s.  It officially closed its doors in November 1981 with a performance by up and coming hip-hop band the Beastie Boys, which had formed earlier that year.  
Former Site of Max's Kansas City (17th and Park)

Scene from Almost Famous depicting Max's Kansas City


Warhol and his entourage were said to have dominated the "back room" of Max's Kansas City during the 1970s.  Aerosmith played their first New York city gig there in 1971, and, in 1973, Bob Marley opened up for a young Bruce Springsteen at Max's Kansas City.  The list goes on and on.  If you've ever watched Almost Famous, the scene where Stillwater finds out they got the cover of Rolling Stone was at a re-creation of Max's Kansas City.  Today, Max's Kansas City is a Bread and Butter coffee shop.

Warhol's Factory (6th Floor of Decker Bldg, Union Sq)

Warhol's studio "the factory" was just around the corner from Max's Kansas City on the sixth floor of the Decker Building (Union Square West and 16th St).  Warhol occupied several studios in New York, but he used this one from 1967-1973.  The iconic Campbell's Soup painting was released in 1968 and likely painted at this studio.  "The factory" itself was actually a popular celeb hangout.  The 1972 Lou Reed song "Take a Walk on the Wild Side," in fact, tells the story of several of Warhol's so-called "superstars" that frequented "the factory" and its wild times.


Let's hope the Met exhibit does a good job at depicting Warhol's intriguing and decadent life.

Tuesday, September 11, 2012

September 11th Anniversary - Still Covered in Rain

It's hard to believe but it's been 11 years since the events of 9/11.  I never visited New York when the Towers were standing.  I remember driving into Manhattan for the first time in 2007 with a friend from law school who grew up in Manhattan.  He told me how nicely the Towers used to center the city and how odd the city looked to him that they were no longer there.

One of my favorite songs is John's Mayer's "Covered in Rain" which provides a gloomy view of Manhattan in the aftermath of the tragedy.  It's somewhat of an obscure song but lyrically an introspective, beautiful look at such a difficult subject.  I met Mayer briefly at a party at the Bowery Hotel about this time 2 years ago.  John Mayer's apartment is several blocks away from the Bowery Hotel in a former bank building in Soho that has now been converted into an upscale loft.  No doubt many New Yorkers are still covered in rain from the tragic events, and I pray for all those still affected.  

Mayer's Soho Apartment (Spring and Lafayette)
       

Sunday, September 9, 2012

A Manhattan Nightspot with a Helluva Past

A few weeks back, I met a few friends at the speakeasy Little Branch in West Village.  "Speakeasies" were popular nightspots during the Prohibition years (1920-1933) as establishments where alcohol was illegally sold.  There are no signs for their entry (this one in particular took me almost 30 minutes to find as even Google wasn't privy to its address).  "What do you think New York would have been like in the Twenties?" my friend Dee asked.  If only those walls could talk.

Before the Depression years of the 1930s, the boom times of the 1920s ushered in a new era of liberation - economic, artistic, and sexual.  It was a time when mobsters were kings and nightlife roared.  The New York Times ran a post several months back about a more prominent Prohibition era nighstpot called the Casino.  The Casino was located in Central Park near 72nd and 5th avenue, on the site where ABC holds its summer concert series.  Counting Crows and LMFAO, among others, played this year, but more than likely they were unaware of the site's history.

Originally a restaurant, the Casino fell into disarray, and was a "dumpy" nightspot at the beginning of the Twenites according to the Times.  With funding from Manhattan's incoming mayor in 1926 and wealthy donors (rumored to include the likes of notorious gangster Arnold Rothstein), the Casino was renovated into one of Manhattan's most illustrious nightspots by the end of the 1920s (the parking lot had space for 300).  I don't know what life was like in the Twenties, but I'd like to think the Casino hosted some raucous times in its day.

Site where Casino once stood


Casino in its heyday


Thursday, August 30, 2012

Friends from the ether,

Thank you for visiting my blog.  As you can see this site is just getting going.  The concept is simple - this blog is an "anything goes, no rules apply" look at the unique city of Manhattan.  As John Lennon put it, "If I'd lived in Roman times, I'd have lived in Rome.  Where else?  Today America is the Roman Empire and New York is Rome itself."  From its economic prominence to its artistic prowess, Manhattan has been a cultural icon for centuries.  But this blog is not about what we all know about Manhattan.  This blog aims to tell the lesser known stories behind it, the hidden stories if you will.  With all of the culture and history that have packed this island since it was sold by the Indians in the early 1600s, there are many stories.  Stay tuned, and I look forward to adding my first post soon.

Cheers